The main titles of Dreamcatcher (2003) and Red Lights (2012) also have a simple concept and font design, but manage to blend and compliment the background whilst not being a tangible part of it.
I also like the tinged colour palettes of both sequences as they suggest a darker substance for the film.
Fathom (1967) has a much brighter colour palette but it's placing of the titles around the movement of the character is effective.
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